Two new works by contemporary British artist Mark Alexander are currently hanging on either side of the nave of St Paul’s Cathedral this summer, selected as a part of the Dean and Chapter’s ongoing Cathedral Art Programme.
The Red Mannheim is composed of two sets of screenprints — nine panels in each, hung in a grid, about four metres tall once grouped — the palette sharply limited to black and a visceral, super-saturated red. Non-identical, the paired works are based on an altarpiece originally created for the choir of the Sebastiankirk in Mannheim, Baden-Württemberg, by that master of Rococco woodcarving, Paul Egell, c. 1739-41. (A photo of one of the sets of panels appears at the bottom of this post.)
The history of the Mannheim altarpiece turns out to be a story of loss, transposition of meaning and woundedness.